http://www.matmccosker.com/blog daily 0.75 2013-11-26 http://www.matmccosker.com/blog/archives/17 monthly 0.5 2010-11-11 http://www.matmccosker.com/blog/archives/15 monthly 0.5 2010-09-08 http://www.matmccosker.com/blog/archives/8 monthly 0.5 2010-08-17 http://www.matmccosker.com/blog/archives/7 monthly 0.5 2010-08-17 http://www.matmccosker.com/blog/archives/5 monthly 0.5 2010-08-16 http://www.matmccosker.com/blog/archives/1 monthly 0.5 2010-08-16 http://www.matmccosker.com/blog/archives/12 monthly 0.5 2010-07-30 http://www.matmccosker.com/blog/category/Uncategorized monthly 0.5 http://www.matmccosker.com/projects daily 0.75 2021-12-06 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391184555-NGU1SSTX1FEZW5Z1CMK9/screenshot_GETAFIX_20181105__012+-+Copy.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391184771-AG49LIA96H906Y6CSVQE/screenshot_GETAFIX_20181105__011+-+Copy.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391124222-3B48KSRTW6L0YJM86OSN/screenshot_GETAFIX_20181105__010+-+Copy.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391119733-VFIZX31176U16LT4A1K3/screenshot_GETAFIX_20181105__009+-+Copy.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391575077-Z49TLQ819CV36YNMMCPC/IMG_7797.jpg Work referenced with Bastion’s Heidi Baleisis https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391673517-YPXD4Z94BUHO607WQ4Y1/IMG_7803.JPG Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391683172-3IPN7X6SQQ8K85183YL2/IMG_7863.JPG Work referenced 2nd Unit DOP - Ben Fogarty https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391691794-QGHY5DU136KRCK813U4Q/screenshot_GETAFIX_20180905__028.png Work referenced previsualisation of crowd. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541393375305-5CI9AYML8EAFAIW7S1GI/screenshot_GETAFIX_20181105__020.png Work referenced Example of base model. Different shaders, hats and accessories etc. could be turned on and off for a variation of figures. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541393377368-GEWEQVINTPYVOROGIF8J/screenshot_GETAFIX_20181105__019.png Work referenced Example of the different mocap source skeletons. These were managed using Maya’s ‘Human IK’ workflow. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1496102873206-X8SYAWAM9LCQ800X1BTM/screen_05_30_s002.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541106751-RDCR81RPJ4XGT64HZE3F/screenshot_GETAFIX_20180910__002.png Work referenced - Giggle and Hoot 'All the Greys of the Button Rainbow' Giggle and Hoot episode animated and composited by Mat McCosker for the Australian Broadcasting Corporation. Director: Clare Gerber Producer: Janice Zets https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1389585820848-I25A1T3ZSTHBJH39SGJ0/IMG_20140111_154458.jpg Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534833283354-HYQA7BQHMYS9IP1FFH6I/screenshot_GETAFIX_20180821__039.png Work referenced - THE WILD ADVENTURES OF BLINKY BILL - VFX / CG Supervisor 2017 - Nominated for "Best Children's TV Series" at the AACTA Awards 2017 - Nominated for "Best Animated Series Production" at the SPA Awards https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540272719190-RHAKRKEO3UJGHK25VGLQ/The-Water-Diviner-Gallery-031.jpg Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540273771493-V1U9KXE2Z30HTN6D5HRP/screenshot_GETAFIX_20181023__013.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540290705511-VE9ZBSAMMNGU12U1ZBTS/screenshot_GETAFIX_20181023__025.png Work referenced - Channel 2 NZ Ident - motion graphics Client: Channel 2 New Zealand Design by : Ink Project Motion design / comp : Mat McCosker https://static1.squarespace.com/static/5293dacee4b024d10ffb8858/t/5bdf87f36d2a738e770d544e/1541375659922/ Work referenced - Learn about the Tonfas, Kusari-Fundo, Tech-Bo, & Ōdachi Sword️Rise of the TMNT | #TurtlesTuesdays https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541392451094-7IML0R48RDAKJJEJ3ZIF/screenshot_GETAFIX_20181105__017.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1541391518864-0BN73MMRCAZBYWPOKS36/screenshot_GETAFIX_20181105__016.png Work referenced - 4K_vfx_breakdown Compositing in Nuke 11 Grade in DaVinci Resolve 15 comp res - UHD 4K (3840 x 2160) https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534746764307-ESFMI6FP836093XYRYEV/screenshot_GETAFIX_20180820__025.png Work referenced - Bonds Tech Trunk with Dustin Martin Art Director, VFX & CG Supervisor: Mat McCosker Production Company: Good Cop Bad Cop Agency: ARC Factory Director: Marty Moynihan Producer: Michael Metzner DOP: Liam Gilmour Production Designer: Tim Burgin Sound Design: Sonar Music https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582608591598-PZS9JJKZWIPDATYZQRHK/image-asset.png Work referenced - Finder.com.au - Manu & Fred TVC - Compositing Composting magic of real magic with Manu Feildel. Director: Rob Rosenberg https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582717737126-S45I9UZ4IWHE5U0NV6PJ/screenshot_GETAFIX_25022020_1724+%282%29.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591792244180-55IRS3B92Q3D8LJMLPB2/image-asset.png Work referenced - Future Deluxe - VIZIO 2020 UHD Lighting & Compositing - Mat McCosker For Future Deluxe - https://futuredeluxe.com/ Vizio - 4K HDR Films Dazzling 4k imagery that demonstrates colour, clarity, and contrast in eye-popping, attention grabbing style! One from series of over 12 live action and CG based abstract short films created for America’s leading consumer electronic brand Vizio. Visually stunning sequences used to demonstrate the high dynamic range of colour and 4k detail for both the M-Series HDR TV range along with the cinematic qualities of the home cinema P-Series ultra TV range. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1430815585255-B2SNUVPD2IXICX0AJS9Y/Screen+Shot+2015-05-05+at+6.45.07+pm.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1430815900981-TZTXWN9BRRTWOSB5DJGN/Screen+Shot+2015-05-05+at+6.44.34+pm.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1430909057933-RY0NPU5HGJWRT9F87KY1/Screen+Shot+2015-05-06+at+8.43.46+pm.png Work referenced https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1446356013067-YL0H1MHHKFH1Z1ASY73J/image-asset.jpeg Work referenced - eclipse chewy mints 'back and forth' Nuke Compositing: Mat McCosker Client: Wrigley Creative: DDB Sydney Post-Production: Method Studios Flame: Richard Lambert Post Producer: Briohny Pogue   https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534755645630-L27LZAPTIKI9TNO12N3D/image-asset.png Work referenced - Vodafone - The Internet CG Lighting: Mat McCosker Client: Vodafone Agency: Oglivy & Mather Production Company: One20 Director: Peter Bloomfield Post Production Company: Method Studios - Walsh Bay Producer: Emily Newbould VFX Supervisor: Andrew Lodge Comp: Julian Ford https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1413170520225-FEOOGSH504EUTW9L8TMX/pic3.png Work referenced Selected photogrammetry & artwork from Northern Lights. The 2008 Adelaide Festival was held from Friday, February 29 to Sunday, March 16, led by Artistic Director Brett Sheehy Northern Lights was funded by the South Australian Premier to continue for an additional two weeks beyond its scheduled duration and was seen by more than 300,000 people. Studio: The Electric Canvas https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1430911900920-HCEDY962KMFUYL39QFPF/00IMG_0985_1024.jpg Work referenced 2 minute sketches from the stages of Dr. Sketchies Burlesque Life Drawing https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1446695103944-J9T7B1H1J8VH2LD6NR2F/image-asset.png Work referenced - Golden Herb Schnitzel and Slaw - Subway TVC VFX Supervisor: Mat McCosker Client: Subway Australia / NZ Agency: Ripe Solutions Production Company: Play TV Director Frazer Bailey Producer: Justin Lyons Editorial: Empire Post Editor: Digby Hogan Sound: Voiceplant   https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1446712073779-0A0KWGZNBIL0EU90HJF1/image-asset.png Work referenced - Cadbury - Domino CG Supervisor: Mat McCosker Agency: Saatchi & Saatchi Director: Michael Gracey Production Co: Prodigy Films Post Production: Blackbird VFX Sound : Rumble Studios https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1446721373129-J47T0GOM10LXOSTZHRMH/Screen+Shot+2014-02-08+at+9.04.17+pm.png Work referenced - 'Fragment' VFX supervision: Mat McCosker Director: Andrew Miles https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1401704090565-IKNN5PZ3T0252SBS5UB0/Screen+Shot+2014-06-02+at+8.06.54+pm.png Work referenced - Iconic 'Emerge' After Effects Compositing & CG Lighting: Mat McCosker Client: The Iconic Production Company: Engine Director: Mike Williamson Producer: Renee Cooper 3D: Shaun Schellings / Serge Kovalenko / Jeremy Yeo-Khoo / Mat McCosker Motion GFX / Comp: Mike Williamson / Pat DC / Mat McCosker https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447388532536-3IZDBSFNWPB97VI8JTIE/image-asset.png Work referenced - International Screen Academy ID Motion Design & Direction: Mat McCosker Client : International Screen Academy   https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447387887763-4FYBXM310NET2434WK2M/image-asset.png Work referenced - Network TEN Motorsports - RPM Motion design lead: Mat McCosker Studio: DD8 Motion titles & Ident for RPM - RPM is an Australian motorsports and automotive television program that airs on Network Ten https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447394580456-78KD2VK5IGXEOAUSM6QB/image-asset.png Work referenced - TV - selected motion graphics 2002-2009 http://www.matmccosker.com/2015-reel daily 0.75 2016-01-07 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1452138808382-W3VDGGF0YK4AO813LIVV/image-asset.jpeg 2015 reel - 2015 reel https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1452138808382-W3VDGGF0YK4AO813LIVV/image-asset.jpeg 2015 reel - 2015 reel http://www.matmccosker.com/test daily 0.75 2019-07-04 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1562213904212-52JJOF4M22JJODQFAFC0/04072019_screenshot_ASTERIX_mat.mccosker_135357.png test http://www.matmccosker.com/liveaction daily 0.75 2019-07-04 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1562247923838-OFI8PBJWBWMK226AFGNK/04072019_screenshot_ASTERIX_mat.mccosker_234438.png Live-action Film/Broadcast http://www.matmccosker.com/animated daily 0.75 2019-07-04 http://www.matmccosker.com/artwork daily 0.75 2021-12-12 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1389587637787-2XN7NWHT48G3LD0ILHV8/IMG_20131013_161433.jpg ARTWORK https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1430911601546-RNL4OET4S58NSXKBNEAF/IMG_1011_1024.jpg ARTWORK http://www.matmccosker.com/liveaction-tvc daily 0.75 2020-02-25 http://www.matmccosker.com/animation-tvc daily 0.75 2020-02-25 http://www.matmccosker.com/painting daily 0.75 2022-12-12 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639270730821-2F5I296RQWXSTBU5DPF3/Home+to+Scarborough+06.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639275010728-3T7TC2VGY6IGSPTNSUTX/screenshot_CACOFONIX_20210627_036.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639275881492-Y87YBRFR3VNW1JP6U4OS/treeandcloud_0611_011.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639273144743-TGQXT78JOAIE3YWJHKA9/scarborough_02_art_11_scar_art_11_v078.FinalImagePP_K_Inst_D.0001%400.25x.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639277345165-GYLF61BGJDR933U56SJ2/nightclouds_0527_031.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639277712696-LWMZ3929R53OT7573ZPQ/cloudsandrain_0627_015.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639278296677-5TQH3Q9D9YAH9JZPTZSS/fireonrocks_0521_001.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639278990350-XPKZ8K0R03MMZVU4ADCT/bushfire_01_1009_020.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639279336772-Z7VFCRWH1J6DG2BXJ82M/mushroomglade_0715_026.jpg Painting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1639276647922-ARRV1YLYBT5AITLB8T3Q/rock_haze_0602_067.jpg Painting http://www.matmccosker.com/tvc daily 0.75 2024-05-16 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628207165-MNNYVZO9QCSYSJ27QX9B/IMG_0176.JPG TVC Director Frazer Bailey adjusting positions with Taungaroa Emile https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628145214-L16BGALTQV0ZAHY77WAT/IMG_0173.JPG TVC Producer Justin Lyons with Taungaroa Emile https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628079640-Y0T6ZOETDK18T4CSC96K/IMG_0170.JPG TVC The very laid back smile of Taungaroa Emile https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628283783-Z3FOHJD3NR6YDDCP3NWP/IMG_0185.JPG TVC DOP Ben Nott setting up for Taungaroa Emile's boots to be whipped off. These will be composited with the green-screen shot of the slippers going on (also shot coming off but then the time reversed so the appear to magically slide on). The whole comp would then separate left & right foot to stagger the timing and all placed over a clean-plate shot of just the fire-place background. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435627864271-P64QT7KWIH3GLVC6O73O/IMG_0128.JPG TVC DOP Ben Nott and the furry stand-in for lighting tests. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435627921313-90OU7GLV0XL98YR1Y3QV/IMG_0130.JPG TVC Head grip Matt Slattery and furry stand-in https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628003054-3Q01L6436JU6A3M1AQA9/IMG_0165.JPG TVC Adjusting lighting for CG wall transformation https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628321687-458N48HZZDUKOBP45LKZ/IMG_3529.JPG TVC Two green screens were setup for the exterior shots of the donga. Needing the light to be overcast the crew race to setup before the morning sun hits at 7am. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628351516-T7LXKKRJDZZF4XCV9WKU/IMG_3542.JPG TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628371427-4VL82ORDIEH75W8OUP8W/IMG_3597.jpg TVC The final form our chair / green screen rig took. Taungaroa Emile and the camera are both lowered into the comfy air-chair whilst the plastic chair (sawn in half) is pulled away.   https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1435628391478-COFH1ED0XV2NW6Q97VHZ/IMG_3602.jpg TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534742396471-3F25JP7R0TDHB5INTSVD/wip_v07.jpg TVC - original plate Shot on the ALEXA XT , ProRes 4444 Log C I/O to 10-bit dpx using Resolve 14 Resolve colour workflow - ACEScc / ACES 1.0.3 https://acescentral.com/ Nuke colour workflow - ACES 1.0.3 (IDT - ARRI - V3 LogC (EI800)) ODT - rec709 on a Flanders Scientific BM210 LCD 10 bit Display (http://www.flandersscientific.com/BM210/ ) https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534742396427-68YOAMDZIZZKGMD1U1DG/wip_v06.jpg TVC - Nuke comp https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534742879124-3RPU8FPGR4HS1GQCCN9F/PS_v01_2.2.1.png TVC - resolve grade https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757597577-5Z15E2G7A7T41L8JEIUB/1eb42a79b7325cec6d593e8037c51c16+char+ref+%2B+lighting.jpg TVC - Design References Looking at the neon of ‘Overwatch’ plus lighting and grading tests. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756236725-3ZC55KKBHP0IPCDOTGVI/shan_v05.jpg TVC - concept art / lighting brief Here are some some lighting ideas I roughed out with for Director, Marty & Production Designer, Tim Burgin. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756556844-5DDRXDF6MOLX8JO9ODK7/Bonds_Tech_151_03+%280-00-00-00%29.jpg TVC - CG concept art https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756328957-PMTO8ZAH3O6Y1P1Y8W8I/Bonds_Tech_180_01+%280-00-00-00%29_v03.jpg TVC - CG concept art https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756354974-19Z73XUEE0R6MGVQQ4W8/screenshot_GETAFIX_20180508__019.png TVC - CG previs / layout Initial blocking / massing of buildings for skyline. These were created hand in hand with Pre-vis so that VFX/CG art-direction would be in step with on set production design. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534765770624-RWKVOKWXTBOX97WP9JM9/screenshot_GETAFIX_20180508__014.png TVC - CG Assets shading and texturing https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757144241-A48J0OKCOWYIMRTNH39R/screenshot_GETAFIX_20180522__005.png TVC - CG blocking / previs Further blocking / layout, basic lighting & atmosphere tests. Rendering with Redshift 2.6.11 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757575452-7ZMPTOL6YKTODSOCLQPU/light+lvl.png TVC - Lighting Reference - Bladerunner example atmosphere levels https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757552053-AWFDS5YCP365D8MJKAB3/screenshot_GETAFIX_20180516__025.png TVC - Lighting Reference https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756573542-ZQNSJ0BKA2OVL5F3A3W1/screenshot_GETAFIX_20180820__016.png TVC - CG Asset build, shading & texturing Textured assets with approved shaders exported as Redshift proxies - https://docs.redshift3d.com/display/RSDOCS/Proxies?product=maya https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756573786-N9BMOX9REHQJC9H0KQH2/screenshot_GETAFIX_20180820__018.png TVC - CG Asset build, shading & texturing Addition of objects textured from on-set images / basic photogrammetry . https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756610289-S8XMYJ6TXS6BFF3IND9L/wip_v01.jpg TVC - Beauty pass https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534756610000-V7T534BRMCF6TI8YAF0W/wip_v03.jpg TVC - Nuke comp https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534766687675-FVJ4WV4F4YWHV9MXWTXJ/screenshot_GETAFIX_20180820__027.png TVC - Resolve grade and motion graphic additions https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534807752560-GEB2Y7L8SM81ISO72XL5/IMG_5132.jpg TVC - Action shot https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757290745-P696QWNTZK205WWUFGYA/screenshot_GETAFIX_20180504__002.png TVC - Previs With previs thoughts were that use of green-screen could prove cumbersome and possibly unnecessary. VFX direction was to extend the set through the smoke / atmos on a set lit without green-screen. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534768113575-T4YG3BWGYJI9ZDZ9GTOX/screenshot_GETAFIX_20180502__002.png TVC - set design VFX corrections concept CG was impractical and scale corrections were made for production dept. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757367252-L9XOZ1QUZFCZ07QZXOIH/IMG_4876.JPG TVC - production build Production Designer, Tim Burgin with Director, Marty Monihan. Here we discussed the trade offs between what could be achieved on set and in VFX/CG. This ‘central wall’ was a key point of integration between the two. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534769014039-7XBA46VLYP542N0YICG0/IMG_5073.jpg TVC - production build Measuring the completed ‘central wall’ https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757346675-P5OC51PRSOCM5NF0B1A3/IMG_4884.jpg TVC - Lighting setup Selfie as the on-set lighting rig is assembled. On-set lighting cues, such as flashes of red, would be key to creating believable integration with the CG lighting. Lighting from the soft boxes was generally held low (0-10%) but could be spiked through the DMX desk for flashes / flares etc. Marty and I discussed misting up the set to match the ‘Bladerunner’ lighting example.. the mist would become a light source/reflector in itself for these flashes and would integrate with the CG volumetric mist and 2D stock footage to be composited in. Using a variety of layered techniques like this is often the best way to get more believable integration. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534768508984-A0XLWXPSDZEJ02Y1L8LA/screenshot_GETAFIX_20180506__001.png TVC - Lighting plan DOP: Liam Gilmour https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534768513873-P0F0M4Y02017KA5FJKLX/screenshot_GETAFIX_20180506__002.png TVC - Lighting plan DOP: Liam Gilmour https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757436642-ZKMCNQ95JB2M464W1DPF/IMG_5165.jpg TVC - LEDs used as both tracking markers and as lighting https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757478372-DXSY22GEHFZIJ46TEM93/IMG_5056.JPG TVC - Lighting elements Kinos - specs here https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757528831-IRHHRADT3QIDD79WLDYZ/IMG_5361.jpg TVC - Lighting diagram basic map measured on morning of shoot with disto https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534765999152-FQJBG38O3ZEP1P2JKRYZ/IMG_5004.jpg TVC - Kinos & LED integration https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534757459133-DPNNDQU4E13FUF0KFRLR/IMG_5046.JPG TVC - Sound stage temperature was 8 degrees pretty much throughout the day Just amazing to work with Dusty Martin - who was happy to go for take after take despite temperatures staying at 6-8 degrees Celsius on set. Shot here with Director, Marty Moynihan (right) and 1st AD, John Sandow (left). https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534807726048-Q0WPVAED3BK8KQPM4IO0/screenshot_GETAFIX_20180716__011.png TVC - Blast FX - street fighter reference https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534807721372-SFBLYKWFX7V5IQ5M6HNP/screenshot_GETAFIX_20180712__001.png TVC - Blast FX Design https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534807706744-AWLTVNU37YXRRE0N2ZZR/screenshot_GETAFIX_20180716__012.png TVC - Blast FX concept art https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389451143-YXVPPINJK1XE43L36IL7/03B_upcoming_Camera_32.png TVC - 'LED' look The look of the logo was designed to be reminiscent of layered LED matrix. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389445954-BJCSCS36IYH5MKRDUXHR/01_OPENING_TITLES_camera22_4.png TVC - Layout Layout was based loosely on a Mercedes dashboard. An onyx background was rendered in CG whereas the dashboard elements were largely built in After effects. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389453858-X6KKMBPUNTWCB2S39UGH/04B_F1_17_v03_Camera_23_f1_1.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389456476-220PA479OMWISMF5JU6L/04B_motoGP_cam_21_v06.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389459626-N0VL7QRK01BRBFDOVOA9/Screen_Shot_2014-12-04_at_12.43.35_pm.png TVC Some reflections were faked in After Effects. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389447091-XO94QUX5XAWQ0XLONK2D/01_OPENING_TITLES_camera04.png TVC - Cinema 4D & After Effects comp Work in progress on design elements https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389465248-HT2UJZPAEBWRKXCGRKC4/Screen_Shot_2014-12-16_at_11.22.07_am.png TVC - Animation Blocking Initially developed in Maya, camera and animation were blocked in Cinema 4D and an animatic was cut in premiere. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389474172-BJSBQQMO9OOU0U85HN0V/Screen_Shot_2014-12-16_at_11.22.12_am.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389487966-I9OMU7X2VTUPRZDUUBAU/Screen_Shot_2014-12-16_at_11.22.47_am.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1447389479494-FAALV7KP3GGBMK9P5ISF/Screen_Shot_2014-12-16_at_11.22.27_am.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591794205942-21K9OAWCOYCWPYGZGW7P/IMG_20191202_191608.jpg TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591792083768-8BVKDYP7WWK7GEE6C88C/screenshot_GETAFIX_25112019_1857.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591792106264-1KIW8SXE331N0SY1YGSX/screenshot_GETAFIX_27112019_1124.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591792120304-0MFHJ2UB7XREN1FHV7MS/screenshot_GETAFIX_26112019_1615.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591792125501-3UD68E85WLCDW0PJULPU/screenshot_GETAFIX_21112019_1129.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591792135155-1C2N69K675HLKBJQC5CS/screenshot_GETAFIX_21112019_1118.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591792147942-AETJTIK9U8KMHRUAL69L/screenshot_GETAFIX_21112019_0959.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1605914971744-I4S5M58VSZ9PN9FTUB8T/Screenshot_20201118-085241.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591794243315-35K4WSUG5N72LAW02M4Y/IMG_20191125_185904.jpg TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/39d70153-1e00-407d-86ed-c86657640470/CACOFONIX_2024-05-16_012.png TVC - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/8afc90f8-4ffb-4695-9ff9-40d869c1d804/CACOFONIX_2024-05-16_010.png TVC - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/bed5902c-8b81-4c82-a83b-209dc8f4a073/CACOFONIX_2024-05-16_008.png TVC - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/ef392058-36f5-46bb-a449-6f79dbd30734/CACOFONIX_2024-05-16_011.png TVC - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/2e827a29-208f-45c1-b331-71b38921a47f/CACOFONIX_2024-05-16_009.png TVC - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540354043430-NFZPYBFG2K4YE91NCGPB/screenshot_GETAFIX_20181024__002.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540357211790-93ODLL16R28F58MSN5PB/screenshot_GETAFIX_20181024__005.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540357470821-AG2OQIMWC2AKNF29CMA7/screenshot_GETAFIX_20181024__007.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1562212521942-5KFWCXDB83ZCH7HAD5Q8/04072019_screenshot_ASTERIX_mat.mccosker_135357.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582603204217-YI7RYYR2NUK4N31HWIWO/screenshot_GETAFIX_25022020_1439+%282%29.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582718362009-FF4ZPQ9PTEIRJA1ROAKP/screenshot_GETAFIX_26022020_2258.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582719612318-1T6QAEZK9LLN1HEAJODB/image-asset.png TVC - Samsung Da Vinci - Design With A Pen Nuke / After Effects Compositing for this Samsung mobile - Graffiti on wall / BG replacement, phone inserts and motion graphics in After Effects. Compositing : Mat McCosker Production Studio : Mighty Nice Agency : Leo Burnett Sydney Client : Samsung https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1591793989582-27D94DE8IDVZWFWE7NNZ/screenshot_GETAFIX_10062020_2230.png TVC https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1715826472796-3459FS8P0SWZEE5BM1R1/CACOFONIX_2024-05-16_012.png TVC http://www.matmccosker.com/tmp2 daily 0.75 2021-12-12 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/a22cf62e-4496-4eb3-a034-4f42f56bc24c/scarborough_02_art_08_scar_art_08_v075.FinalImagePP_K_Inst_D.0001%400.25x.jpg tmp2 http://www.matmccosker.com/film daily 0.75 2025-07-15 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825180957-T9JWKVQEKR7MFS19V2IC/screenshot_GETAFIX_20180821__006.png Film As VFX / CG Supervisor of the Series it was my responsibility to manage 10 or more different animation and compositing studios across several countries - but primarily in India. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825557263-PNLSYVS8L9INF57E6Y8J/screenshot_GETAFIX_20180821__036.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825552161-B47HFUW6TMTA9UQC8GEH/screenshot_GETAFIX_20180821__035.png Film Working closely with the series Director, Andy Collins, and series Producer, Alexia Gates-Foale, I oversaw the realisation of Andy’s vision from storyboards to screen. Optimised to be within the timeframe and commitments negotiated by Alexia. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825211013-M9LTMSJ99AO248GNOOMW/screenshot_GETAFIX_20180821__009.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825112082-X5TS0IIZEZIFPVLN1MLF/screenshot_GETAFIX_20180821__052.png Film - Lighting & Comp Bible To maintain standards across so many animation houses, each with their own pipelines, I built an Lighting & Comp Bible which covered everything from main lighting scenarios through to technical information with regards colour workflow and a variety of CG / VFX concerns not just particular to Lighting and comp. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825113695-LOT3487S733L0GGMAANQ/screenshot_GETAFIX_20180821__053.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825103187-HCKBEKXJJ4DCTT50KZZU/screenshot_GETAFIX_20180821__048.png Film The main lighting scenarios, comp scenarios, CG concerns were broken down into modular briefs and could then be tagged in SHOTGUN thereby giving granular / easy / shot-level control over the lighting and comp brief on each episode. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825129084-GCPGRVBJ4890UK0E6JK2/screenshot_GETAFIX_20180821__056.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825095892-1CG6ITKXHEPS6QMP6V4P/screenshot_GETAFIX_20180821__047.png Film The top here shows an example of SHOTGUN tags for lighting scenarios. These were visible to all studios world-wide. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825109644-5N7YJANDQ3ZEO8LYEWO2/screenshot_GETAFIX_20180821__049.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825207668-C3BMYINNURRZSWEGBEWR/screenshot_GETAFIX_20180821__008.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825562452-T96K59KK0RNUM2QE8NQ4/screenshot_GETAFIX_20180821__037.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825192094-6848NR2DLE927F0VO9JW/screenshot_GETAFIX_20180821__007.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825075403-P6LCOSSZ64KXP0Y5400D/screenshot_GETAFIX_20180821__041.png Film with Pip Francis, Production Manager, in ‘Jacko’ crew T-shirts.. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825112200-D4P1DNUGGRD03FZSBX1U/screenshot_GETAFIX_20180821__051.png Film Comp and Lighting brief - here a simple example discussing the treatment of a comp effect such as ‘pulling focus’ or ‘racking focus’ https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825137417-JI7SIQKWLNMD2FPUQH4V/screenshot_GETAFIX_20180821__058.png Film For some scenes particular attention was paid to lighting the environment reflect a particular character or mood. In this case 'Cranky’s House’ was held often in deep shadow. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825521161-SZUNOF3ZGC7W1QO98921/screenshot_GETAFIX_20180821__031.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825143335-OQXQ0Y1DNJW3EVP63PE3/screenshot_GETAFIX_20180821__060.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825258231-2XLF3A5CHYSPRV0G2Z5J/screenshot_GETAFIX_20180821__012.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825324551-GVWNCVQYL660UY2VEPWX/screenshot_GETAFIX_20180821__017.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825376974-ITU54393UV8QKB3T0VY0/screenshot_GETAFIX_20180821__021.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825230158-BHJ0Y8LTMFCBI5LOWQ7E/screenshot_GETAFIX_20180821__010.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825312571-IKSXYNXJZRFM049EH1PO/screenshot_GETAFIX_20180821__016.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825300627-LWM2R9XE7KFKKPHE2LZF/screenshot_GETAFIX_20180821__015.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825158272-9GBVCW0ZN7F1P4JOC1QO/screenshot_GETAFIX_20180821__066.png Film The Lighting and Comp Bible also covered basic comp workflows so that studios whose forte was not compositing could be brought up to speed. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825156227-8Q5JHK9GB5S3S7XGBCHF/screenshot_GETAFIX_20180821__064.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825163644-3N7UCO5G0DJV1CTPIKG6/screenshot_GETAFIX_20180821__068.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825161446-SLVQBF5TYY53T4WFQ1ZC/screenshot_GETAFIX_20180821__069.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825279189-VF05VJEWMBBNXSOT7FWT/screenshot_GETAFIX_20180821__013.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825281807-K2EK63A1U0IR6BP888UN/screenshot_GETAFIX_20180821__014.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825342116-VVNT4X4645AAHOV686CV/screenshot_GETAFIX_20180821__018.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825369812-IN05S3VC1RRC4CE2R2IG/screenshot_GETAFIX_20180821__020.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825397604-J32DRRI25KJP76HHF8E3/screenshot_GETAFIX_20180821__022.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825398786-ANVH1N9HC5ADHPE3YVIQ/screenshot_GETAFIX_20180821__023.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825421472-IS90FZ7H60NETPKHLCDH/screenshot_GETAFIX_20180821__024.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825433584-69MDBSSONGA7TZSH96LZ/screenshot_GETAFIX_20180821__025.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825455323-V2CK5KML3NBGQP3YOWTW/screenshot_GETAFIX_20180821__026.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825464223-YHH4PIZR3SK1LACYBCKP/screenshot_GETAFIX_20180821__027.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825478585-ZMG5UD3BR2NI2WZ0UL90/screenshot_GETAFIX_20180821__028.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825486778-3P8DCZDT7247MWNBME3D/screenshot_GETAFIX_20180821__029.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825511523-7VRAUG4XAPY6BCTUTKOF/screenshot_GETAFIX_20180821__030.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825540708-JVOCLRM12N18HIKW1NFU/screenshot_GETAFIX_20180821__032.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1534825247249-ZS1ENSMTJOEEY58R2HLF/screenshot_GETAFIX_20180821__011.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541430472-KGTFNQ6CEY1C7O4J1HWG/screenshot_GETAFIX_20180910__004.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541514865-9VGRCR5YLK0QVCO5QQA4/screenshot_GETAFIX_20180904__006.png Film Rainbow animation driven by expression and gradient wipes. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541463293-MZ073ZTN0VV8AP20NTQ8/screenshot_GETAFIX_20180904__014.png Film Each colour band has it’s own AE pre-comp. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541469906-OB29AUVYDIL37DTGBLLO/screenshot_GETAFIX_20180904__013.png Film Gradient wipe - luminosity drives the button scale animation. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541757418-UIODUCYPEP94YOS7TSLO/screenshot_GETAFIX_20180910__005.png Film After Effects expression example driving button animation for rainbow wipe. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541586555-F61B6LG4FQFJQYE9FO0W/screenshot_GETAFIX_20180904__018.png Film rainbow frame example from animatic https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541597285-J76RKFLQC1JCDZLH0HC1/screenshot_GETAFIX_20180910__003.png Film final rainbow frame https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536541554392-8WV0AT2Q1V73XELCARXZ/screenshot_GETAFIX_20180904__011.png Film Example of master comp - showing 3D placement of cloud pre-comp. Green precomp-layers contain green screen keys - keying was a scripted setup / procedural process. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536550315635-2H94V7WG4EA90BADVFH8/screenshot_GETAFIX_20180910__011.png Film with producer, Janice Zets https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1536550341230-QXEUKJ6UI7UX75GG0ARU/screenshot_GETAFIX_20180910__010.png Film with Giggle and Hoot loot.. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540359097759-4KWRDF6KKVFU4GIP6DXX/screenshot_GETAFIX_20181023__022.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540359095037-MMACZ0WEQWRN5GS7X7GH/screenshot_GETAFIX_20181023__021.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540271311114-XWPAEAKECEOP1OB0UI1T/20140214143206_maya_load_alembic_2.gif Film time-lapse showing Maya opening Constantinople scene with Blue Mosque and surrounds as both ‘alembic’ and ‘Maxwell’ render archives using Maya’s scene assembly. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540276219225-J4FY1RRZIBE16CFTURNW/20140209225217_maya_maria_05.gif Film time-lapse showing texturing process of Blue Mosque using ‘Mari’. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540359039248-DU9UV5GU6WP0RJV47Q7Y/screenshot_GETAFIX_20181023__018.png Film CG lighting test https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540359031313-61E48R1VKY9JF5I9PEL6/screenshot_GETAFIX_20181023__014.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540359032674-YV5ZFPROJXKLZ8JK9FEW/screenshot_GETAFIX_20181023__015.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540359036533-R5MYFRMQW4GE0XOQ0BED/screenshot_GETAFIX_20181023__016.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540359038574-08PSHHW5K9GO49NBYIPE/screenshot_GETAFIX_20181023__017.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277073394-ELFT2F9Z255YAQKP3N22/trainseq.jpg Film Train sequence previs uses Google maps location of shoot site in Southern Australia to accurately plan shooting logistics. This and other sequences were discussed with director, Russell Crowe, and DOP, Andrew Lesnie along with producer, Andrew Mason and other department heads to plan various shots as well test various edits. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277068813-5YCAYEBTT5ODGMQJBXRH/trainseq-1.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277074889-EPBUP0TH1348ID6NF8LO/trainseq-2.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277082488-ODWTLEW6N2SDCD1RLZZ0/trainseq-3.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277083137-2HR54T0AAKXAJ6NZI4EP/trainseq-4.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277089359-72HR1I7O4S1CISGNP6JM/trainseq-5.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277090217-EQ67F303KQRE8NE2WQ8A/trainseq-6.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277097045-M0GMEQBSMUM7IRJGXK82/trainseq-7.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277098743-GEJ27RHPH4FAC1QDSPPW/trainseq-8.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277113844-SXDDA7YN3T7GG1BPUAOS/cistern.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277108612-R5C7EMC8EQMH1P3368KE/cistern-1.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277122290-SZOL770NA90IN0VGER42/cistern-2.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277129948-LUWKET48BS4NHZO2E130/cistern-3.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1540277131144-1C15Q7NZOUDICY2G8GCN/cistern-4.jpg Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720453027-6QETP5256ZCT82OO1IVU/screen_09_14_s017.png Film Miko ‘hair rim light’ look dev - the light blue was created in comp and could be changed to suit different lighting conditions https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720108346-919G77YZHWBLGC8ILECZ/screen_12_04_s004.png Film Portal ‘Look Dev’ - corner pin to shot, grade, glow and add more glitch! https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720110419-TC9CATAT3LQVTDB8T6Y9/screen_12_04_s003.png Film Portal ‘Look Dev’ - animation dept. render a flat circle to drive the portal animation. The comp setup is then layered on this. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720386353-FDZG52356R63VKB63V9M/screen_12_01_s002.png Film Before and after compositing ‘look https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720404431-8MZVK7G2KL8EQA9OEJTU/screen_09_14_s020.png Film Shotgun used to track shots and tag necessary comp FX https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720471335-QJCFBZDUPD6MFBY1FBRJ/image-asset.png Film pipeline tests to check Toon Boom / Harmony output quirks https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720406740-LJFWE5BWKCL2S1DDKFD9/screen_11_06_s003.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1582720406162-3KZIN5LIRPE4SWR5VG83/screen_11_06_s005.png Film Render from CG (right) and with comp grade, lighting and motion blur applied (left) https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1615166524740-GUGRQ74T8L2YKAWMOY40/FX_Networks_2019-20_1.png Film https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/73291434-1b68-476e-bc74-e5aa792bf3dd/screenshot_20221118_005.png Film - Make it stand out Elvis - compositing - Fin Design and Effects 2022 https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/de00935a-c440-4e13-9398-d6085a75f88f/screenshot_20221121_002.png Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/b1847d5f-f87f-4e70-88e2-dd04ca30da62/screenshot_20221121_003.png Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1a8ef1e8-c22f-4257-a412-5e941619c3a0/credits_cdw.jpg Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/84eab08c-27dd-4d24-b235-6a9f125a692e/screenshot_20221121_004.png Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/c57b3765-c210-4448-8677-7786e80912c8/CACOFONIX_2024-02-06_010.png Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/64798f06-3b8a-4b80-a293-82b5634ad462/furiosa_poster.jpg Film - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5293dacee4b024d10ffb8858/1615166582873-L8JZQTZTZUUVYK6KDRAJ/FX_Networks_2019-20_1.png Film 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