“The desert landscapes sometimes recall Monument Valley in John Ford’s Westerns; the plot could be a petrolhead’s fever dream of the Old Testament, albeit with no credible divinity in sight.” -

Jake Wilson, Sydney Morning Herald

‘For all its sound and fury, many of the film's more memorable moments are its most simple: images of its star set against the vast, elemental landscape, or framed like Joan of Arc on a gate that resembles a burning cross. Taylor-Joy pops against the dirt and grime and the ochre desert, against the grotesque Australian masculinity that has long been the series' gleeful stock in trade.’

Luke Goodsell, ABC Entertainment

Even with all of the sand, Furiosa is filled with colorful characters, bursts of imaginative design, and some of the most heated action sequences since Fury Road…. The primary colors of Furiosa are orange and yellow because of the apocalypse theming and the sand. With some films that would make it a bore to watch. But with George Miller’s vision of this world, it’s just a tapestry to paint an incredibly vibrant painting on. Where some post apocalyptic worlds go for a more cold, realistic design approach, Miller and his team go the opposite direction. Everything in the world of Mad Max is weird, and Furiosa is no exception.

Dan McMahon, Gate Crashers