VFX Supervisor responsible for all VFX breakdowns and workflows.

Compositing Supervisor at Cutting Edge delivery 300+ shots over 5 weeks.

Compositing Supervisor at Cutting Edge delivering 400+ shots in under 4 weeks.

Selected shots of Lighting, Animation & FX: Mat McCosker

Studio : Double Negative
Director: Alfonso Cuarón
VFX Supervisor: Roger Guyett

Some of the ‘behind-the-scenes’ development images whilst at Fin Design & VFX look dev / RnD on the interior rock walls (using Quixel Megascans) of the Sinkhole as well as the Rift/Aurora for when it is inside the Sinkhole - all done within Unreal Engine 5.0.

Production layout, lighting and rendering also in Unreal Engine 5.0 - This was the first time UE was used for actual production shots for Fin.

Shot compositing in Nuke 12.0

The series is set in Victorian London and follows a group of people, mostly women, known as the Touched, who suddenly manifest abnormal abilities. Among them are Amalia True, a mysterious and quick-fisted widow, and her best friend Penance Adair, a brilliant inventor.

Some of the development compositing breakdowns for the Matthew Reilly 2022 film, Interceptor, whilst ‘space’ compositing lead at Fin Design and FX.

Compositing, Fin Design + Effects / Directed by Baz Luhrmann, Elvis (2022)

Selected shots of Lighting & Compositing from the Legend of the Guardians - the Owls of Ga'hoole

Studio : Animal Logic

Director: Zach Snyder

Art director: Grant Freckelton

Selected shots of Compositing: Mat McCosker

Studio : Animal Logic
Director: Alex Proyas
VFX supervisor: Andrew Jackson

Modelling, Layout, Lighting & FX: Mat McCosker

Director: Beeban Kidron
Studio: Double Negative

Teaser trailer for AFM & Look development for the 2020 film release.

This was also a pipeline test for Flying Bark Animation trialling a number of workflows and using Shotgun Desktop at the studio for the first time.

Assets used Maya, Zbrush, Substance Painter, Ornatrix, Yeti

Rendered in Redshift

Comp & grade in Nuke

Previsualisation: Mat McCosker

Studio: Photon VFX
Director: Bryan Singer

Previsualisation lead and development assisting Mr Crowe