• MAT McCOSKER (VES) - VFX / CG SUPERVISOR
  • Painting
  • Film
  • TVC
  • Resumè
  • REEL 2024
Mat McCosker

VFX / CG Supervisor

  • MAT McCOSKER (VES) - VFX / CG SUPERVISOR
  • Painting
  • Film
  • TVC
  • Resumè
  • REEL 2024

TV - The Wild Adventures of Blinky Bill - VFX / CG Supervisor

 As VFX / CG Supervisor of the Series it was my responsibility to manage 10 or more different animation and compositing studios across several countries - but primarily in India.
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 Working closely with the series Director, Andy Collins, and series Producer, Alexia Gates-Foale, I oversaw the realisation of Andy’s vision from storyboards to screen. Optimised to be within the timeframe and commitments negotiated by Alexia.
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Lighting & Comp Bible
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 The main lighting scenarios, comp scenarios, CG concerns were broken down into modular briefs and could then be tagged in SHOTGUN thereby giving granular / easy / shot-level control over the lighting and comp brief on each episode.
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 The top here shows an example of SHOTGUN tags for lighting scenarios.    These were visible to all studios world-wide.
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 with Pip Francis, Production Manager, in ‘Jacko’ crew T-shirts..
 Comp and Lighting brief - here a simple example discussing the treatment of a comp effect such as ‘pulling focus’ or ‘racking focus’
 For some scenes particular attention was paid to lighting the environment reflect a particular character or mood.   In this case 'Cranky’s House’ was held often in deep shadow.
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 The Lighting and Comp Bible also covered basic comp workflows so that studios whose forte was not compositing could be brought up to speed.
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