Compositing in Nuke 11

Grade in DaVinci Resolve 15

comp res - UHD 4K (3840 x 2160)

with Bastion’s Heidi Baleisis

2nd Unit DOP - Ben Fogarty

previsualisation of crowd.

Crowd simulation was kept fairly un-complex using Maya’s ‘MASH’ to create instances of the various figures.

Rendering in Redshift 2.6.11

Example of base model. Different shaders, hats and accessories etc. could be turned on and off for a variation of figures.

Example of the different mocap source skeletons. These were managed using Maya’s ‘Human IK’ workflow.